Given last week’s post looked at Starting a Piece of Fiction, I thought it would be apt to write about ending the said piece of fiction. The beginning of a story has to set up interesting characters and a good premise to hook the reader in, but the ending must deliver on this.
I’ve often found starting a piece of fiction can be more problematic than finishing a first draft. How come? Knowing where to start is a crucial component to any story and every writer knows the opening lines, especially the first one itself, have to be strong enough to hook the readers in to want to read the rest of the tale. So no pressure then!
Is there anyone who can’t name a list of things they wished they’d known earlier? No matter who you are, there is bound to be something here. I thought I would look at this question from a writer’s viewpoint (otherwise this post will be far too long!). Were there things about the writing life I wish I’d known earlier? Oh yes.
As many of you will know, as well as writing for the fabulous Chandler’s Ford Today, I also write for a monthly online magazine called Writers’ Narrative. I am also their copy editor. The magazine has a monthly theme and the October edition will be about Short Form Fiction.
I’m delighted to say I will be their Featured Author for October and have been interviewed in depth by the Editor in Chief, Wendy H Jones. I also wrote a separate article breaking down one of my published flash tales and looking at how I wrote it, as well as sharing some of the influences which led to its creation. Am very much looking forward to sharing this via my website and social media later.
It was interesting being on the other side of the interview. The questions were thoughtful and challenging and a joy to answer. So I thought for this post, I would look at what makes for a good interview, what authors can do to prepare themselves for interviews they face, and how to make the best of them once they are “out there”.
Writing competitions can be useful in helping you get your short stories and flash fiction into print. There are novel competitions out there too, though the entry fee is significantly higher for these, which is understandable, because you are paying for a judge’s time to read your 100,000 words.
But for this post, I thought I would focus on the short fiction forms as there are more competitions available for them.
I make a point of mixing up what I read in terms of genre and type of story. So as well as reading novels, I read novellas and, naturally for me, flash fiction and short story collections.
I love reading stand alone novels. One of my favourites here is The Daughter of Time by Josephine Tey. The story is complete. There could not be a follow up. But especially in genre fiction, there is a lot of the room for the series novels. Crime and historical fiction seem to me to lead the way there. I will be interviewing an American author shortly who is renowned for her crime series, but I thought for this post I’d take a look at the joys and challenges of writing stand alone books.
It is always a pleasure to return to The Hayes, Swanwick, Derbyshire for my big writing event of the year – The Writers’ Summer School, Swanwick. I spend a fabulous few days in the company of friends, enjoy making new friends, and learn so much from the courses and workshops on offer. I am immersed in the world of writing and it is a wonderful, tiring, and inspirational experience.
This year, the weather was gloriously sunny. We appreciated the air conditioning in the rooms where the workshops were being held, and there were new additions to the grounds at The Hayes. I do not remember seeing the goats before.
[Read more…] about Returning to The Writers’ Summer School Swanwick for 2025
By the time this goes live, I will have just returned from my annual jaunt to The Writers’ Summer School, Swanwick. As ever, a good time was had by all (and far too good a time had by me, writing events have their social side which doesn’t necessarily do that much for the old waistline!).
I learned so much from the workshops and courses. I do think this is one aspect where writing is good for you. You keep learning all of the time and developing your craft. That keeps you on your toes, encourages you to up your game and when, hopefully, publication successes come as a result of this, that too encourages you to keep going and it encourages you to see if you can be published again. At least that has been my experience to date.
Breaking down why a story works may seem a strange thing to do. Surely you just want to read an enjoyable tale and move on to the next one, ideally having a good mix of genres, classic and contemporary works as part of your “reading diet”?
Well, yes, but if you want to write your own stories, it does pay you to work out what it is you love about those you enjoy reading. You will learn a great deal from this, some of which at least you will be able to apply to your own writing.
Now I’m fond of a good quiz (Pointless, Mastermind, University Challenge etc) and I always count it as a good day if I get the book/author related questions right. I do feel like I’m a numpty if I don’t!
But I also use quizzing techniques when it comes to creating stories. One way I do this is to quiz potential characters. I want to find out just what it is about them which means I should write their story up. I see it almost like interviewing a potential actor for a role. I must get my cast right. If they don’t fascinate me, they’re unlikely to work their charms on potential readers.
Do you read more or less fiction when the news is grim? Are you conscious you’re doing so? I know I deliberately listen to more classical music, write more, read more. All of these are good to focus on, so unlike the news. I recall there was always a funny or warm hearted story at the end of the main news bulletin. Do those still exist? I haven’t come across them recently.
This may be a strange question for a fiction writer to ask but it’s not a bad thing to look into as it ties in closely with why write at all. I believe the creative arts as a whole are worth celebrating and supporting. Fiction writers, though, have the chance to show reflections on humanity’s behaviour all through the medium of entertaining stories.
Now I’ll put my hands up and admit to being biased about editing. Well, I am an editor so I would be. But my experience wearing a writer’s and editor’s hat (and sometimes both together) is there is no middle ground here. People love it or hate it.
Before becoming an editor, when I found my acceptances were increasing when I put in decent editing work on my own stories, that changed my attitude too. I thought I’d share some thoughts on editing here which I’ve found helpful with my writing. (A lot of them can apply to when I’m editing someone else too).
History is full of stories, which is one reason I love it. Of course, history is said to be written by the winners. There is truth in that but every so often someone will come along and come up with alternatives to the “orthodox” version. Josephine Tey did this in fiction regarding Richard III with her marvellous The Daughter of Time, which The Richard III Society credits as being a major reason for many people joining them.
One of the great things about getting out and about during the spring and summer months is this can give you plenty of inspiration for your writing. You don’t have to go far from home necessarily either. How come?
Partly the reason is you are doing something different. That in itself can inspire you to think differently and be more open to creative ideas. Even just walking the dog gets me out and about, gives me screen breaks, and it gives me opportunities to spot things I might get to use in stories later.
In all walks of life, we build on what has gone before. Well, there is no point in reinventing the wheel, so to speak. One person’s discovery often does lead to someone else taking that discovery and doing something special with it.
Isaac Newton confirms this thought with his quote, “If I have seen further, it is by standing on the shoulders of giants.”
It is ironic that, regardless of whether you create honest or dishonest characters or both, you do have to be honest about how you create them. What do I mean by that?
I mean you create a character who is fully rounded, where readers can see why they are the way they are, even if they disagree with them, and your characters are not set up as cardboard cutouts. They have to seem real and believable, an honest creation if you like.
But you can have fun with honest and dishonest characters and naturally literature abounds with both kinds.
As I write a lot of flash fiction and short stories, I need to create a lot of characters. I do re-use some but not many compared to the numbers I’ve created in total. My characters often have one story in them, though occasionally one may play a “bit part” role in another tale.
For me, any good story of whatever length is all about what happens and, specifically, what happens to the lead character. I must know what happens to them. I must care about what happens too, even if they’re a villain and I am hoping their evil plans will fail. I also need to know whose story it is.
[Read more…] about What You Need to Know About Character Creation
You take in what makes a story work subconsciously. Even as a child, when I read the classic fairytales, I knew on the third time of something occurring, there would be a different result leading to the happy ever after ending. I had no idea that was the Rule of Three in action. I just knew if this didn’t happen, there was something wrong with the story. I also knew early on I had to want to find out what happened to the characters so there had to be something interesting about them to grab my attention (and just as importantly keep my attention going).
