It took me a long time to work out what my author voice was and why it was important to have one at all. I needed to work out just what it was I wrote, why I wrote it, and develop a writing style. You should be able to read an author’s work and “hear” their voice coming through their characters. It is not just about author style though that feeds into this.
I’m off for a late autumn break soon. I’m looking forward to a return visit to lovely Northumberland. It is what breaks are for – to refresh, revitalise etc. Having said that, a good cup of tea and a decent reading session can also act as a mini break and I welcome that kind too!
It was fabulous to be back at the Swanwick Writers’ Summer School this year. I had to cancel and apply for a refund on my train tickets due to the strike but a dear friend, who is another Hampshire regular at this event, June Webber, provided transport and it was lovely travelling with her on the way up. Many thanks to my other half, Adrian, for being my chauffeur on the way home.
This year’s Swanwick was especially interesting because I went as a delegate and as someone taking part in various items including running a one hour workshop here for the first time.
The first thing I took part in was a Lift Up Your Pens session which is a pre-breakfast series of short creative writing times where those leading it set writing exercises designed to get those creative muscles working. I shared some thoughts and set creative writing exercises based on three random generators I use regularly.
I also took part in a Lift Up Your Hearts which is a pre-breakfast series of short devotionals. How did that work out then given these were on at the same time each morning? Simple. The former I did on the Sunday, the latter on the Monday. I was only sorry we weren’t in the lovely chapel at The Hayes, Swanwick for the devotionals. The Hayes had more than one group in this time (and I suspect this policy has helped them keep going) but I hope we can get back to the chapel next year. It is very peaceful in there.
My theme here was on favourite words. I took just two from the Bible and picked a favourite hymn which has one particular line which always resonates with me (O Love That Wilt Not Let Me Go – and my favourite line from this is I trace the rainbow through the rain. Many hymns have wonderful poetic qualities to them and this one has especial meaning for me. Note: Do skip the advert as soon as you can on the clip but I thought this was a beautiful brass band arrangement of a fabulous hymn).
I also ran a one hour session on Editing – The View From Both Sides of the Fence.
In 2020 as I awaited the publication of Tripping the Flash Fantastic, I was on both sides of the editing fence at the same time so my talk took in what an author can do to make the most of working with an editor. I also looked at what editors often see in submissions.
In the last couple of years I’ve also been a competition judge so I could also share common mistakes authors make here, again the idea being to get your manuscript in as near perfect a condition as possible before working with said editor.
The funny thing is I used to use Microsoft PowerPoint years ago and have come back to it again in recent times thanks to giving Zoom talks. PowerPoints are easy to share on screen and they are useful for workshops.
I was pleased (and relieved!) the workshop went well and I would like to do more of this kind of thing at Swanwick.
It was great fun to do all of this and I did take part in the Open Prose Mic Night again. Flash fiction works beautifully for this. You can’t be more than five minutes. What I did this year was pick a couple of pieces to hopefully make people laugh and ensure I came in at under the time allotted. That always goes down well with an audience – it is always fine to come in under time!
For the prose night, I picked my linked flash tales – Mishaps and Jumping Time from Tripping the Flash Fantastic this time. Pleased to say they did get laughs but then my hapless time travelling alien in these stories does have that coming. Honest!
It doesn’t matter if it is your first visit or your 50th, you will get a warm welcome here. Other writers understand the drive to write. They understand the hard work behind the scenes. They also appreciate the joys when things go well. And I have learned so much chatting with other authors over the years. It is also lovely to give back in sharing information I have discovered which I know will be useful to someone else.
As well as going to the Open Prose Mic Night, I went and listened to the poetry equivalent which was wonderful. I took part in a literary quiz as part of the Prosecco Queens. No prizes for guessing the origin of that name! Am pleased to say my team won!
I love listening to the after dinner speakers too as, regardless of what part of the writing world they come from, they inevitably share something which will either be useful information or a word of encouragement. It is good to know that successful authors do know the length of time it can take to break through.
I loved the courses and workshops I went to and learned so much from them. These ranged from Creative Non-Fiction led by Simon Whaley to How to Write a How To Book by Bettina von Cossel.
Plus it was a joy to meet up in person with Val Penny, who I interviewed for CFT last week, and enjoy her Promoting Your Work workshop. There is always plenty to learn there as there is about the world of Social Media for Writers which was led by Jennifer C Wilson.
What is lovely about Swanwick is getting to immerse myself totally in the world of writing for six days and in lovely surroundings with wonderful company. One of the big advantages to any kind of networking is you are talking to writers who understand the drive to write. They know the ups and downs of the writing life. And I’ve learned lots of useful information over many years chatting with a writer over a cuppa. What’s not to like there?
No one writer can ever know it all. I’ve also found the writing community to be so generous and supportive with useful tips and information. It is also lovely to be able to give back on that. I am a firm believer in the what goes around comes around principle (and in the pay it back, pay it forward school of thought too).
One of the things I love about Swanwick is you don’t have to decide on what course or workshop you want to do in advance. Okay, it is fabulous fun going through the programme and highlighting possibilities. We all do! But you can leave deciding until the day of the course or workshop itself.
Swanwick offers a range of one hour workshops but also four part specialist courses, separately shorter two part courses, and a range of evening entertainment including quizzes, which are always a good laugh. Do writers dread doing the literary quiz? Oh yes. It quickly shows up what you have read and what you haven’t! Also everyone pays visits to the Book Room (whether or not they have books on sale there. Many of us do and it is a thrill to see mine out there).
If you pick a four part specialist course and you find it is not quite for you, then move on and pick another one. You don’t have to see that first course through. Same goes for the workshops. You also decide how many of these you want to go to. If, for example, you want an afternoon off to work on your own project, that’s fine too.
The accommodation is lovely and the food… well let’s just say you’re not going to go hungry here. I suspect the diet for all of us starts again on the Saturday after we’ve got home again!
Naturally after dinner there are guest speakers and these are a joy to listen to because you’re listening to people who were once new writers and hearing how they got their breakthrough, I find, is enormously encouraging.
The best gossip? Naturally that’s to be found at the table where you’re sat for dinner as you chat with friends and those who have become firm friends on meeting for the first time at Swanwick. There is a Facebook group and many of us keep in contact throughout the year on that. Social media does have its uses and here it is very sociable indeed!
It is always a wrench to leave Swanwick but we all go home inspired and enthused. That matters. The writer is so often alone at their desk. It is too easy to become discouraged. A little encouragement goes a long way here. Inspiration strikes too and writers can always find a use for that!
Read interviews with Chandler’s Ford writer Allison Symes: Part 1 and Part 2.
Read blog posts by Allison Symes published on Chandler’s Ford Today.
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I hadn’t set out to become a short form writer. I hadn’t heard of flash fiction when I started writing seriously for publication. The writing journey can be an odd one, taking you on all manner of twists and turns. Some turn out to be useful.
My first thought on knowing I wanted to write was to write novels. Now this does seem like I was trying to run before I could walk, but many people do this, they love the long form of writing and stay there.
I have a soft spot for quizzes and word games. I’m sure a lot of writers do. Words are our stock in trade after all. Games like this help increase vocabulary and they can be good for maintaining a reasonable level of mental capacity.
I thought this would be a nice cheery way to end my In Fiction series. What do I mean by zest in fiction?
Now this topic could easily fill a book or several so this post can only be a brief overview. I focus on a few things which I have found so useful.
The Rule of Three is a classic in all fiction. It is one of the basic building blocks for successful story writing. It’s not new. Think about Jesus talking about the parable of The Good Samaritan. Two people walk by on the other side from the poor robbed man. The third one, the Samaritan, not only stops but helps the victim.
Now there’s an interesting combination of topics for the letter R in my In Fiction series.
[Read more…] about Reading, Rhythms, and Resolutions in Fiction
Is there such a thing as original fiction? Hmm… you may think that’s an odd question for me to ask and the answer to that must be “yes”.
Laughter is one of the great joys of life and it has a huge range. This is reflected in fiction too. There are the laugh out loud stories, those wonderful moments of irony, slapstick, the great one-liners and so on. What matters in stories is that humour arises naturally out of the characters and the situations the writer has put them in (and often the greater the height from which the author has dropped their characters in it, the better).
Forcing humour never works. Something is funny or not, as the case may be. When I interviewed Fran Hill and Ruth Leigh on this topic, their insights showed how difficult writing writing humour can be though both ladies manage it magnificently despite writing in different genres. Fran writes memoir with humour. Ruth writes women’s fiction with humour.
My topic this time for the In Fiction series is a study in contrasts.
Kindness and killing feature heavily in fiction, the latter particularly in the crime and horror genres. Kindness turns up in the classic fairytales and in fantasy and will often be those moments in a story when our hero/heroine has to rely on someone else to help them through a difficult time. It is that break, that help, which enables them to go on and successfully complete their quest etc.
This acts as a reminder to us that no man is an island, we all need help and kindness at times, and that kindness can reinvigorate us. Fiction should reflect that.
This post is timely because by the time this goes out I will be up in Scotland again for the Scottish Association of Writers’ Conference. I’m running a flash fiction workshop there and have judged one of their competitions (the Margaret McConnell Woman’s Short Story).
I hope to interrupt my In Fiction series to report back on how things went soon. And yes I loved the train journey (Waterloo, King’s Cross, Edinburgh, Croy) – the scenery on much of the route is amazing. It’s the second time I’ve been up to Scotland in the last few months as I was at the Brechin and Angus Book Festival back in November.
They say that a picture is a thousand words but don’t discount those words. For one thing, one thousand words is a flash fiction story! An artist paints with oils, watercolours etc., whereas a writer paints with words. And those words can make a powerful impact on readers.
By inventing characters readers can identify with, we can use those characters to convey deep truths in what we get them to say and how we get them to act. We can also use those characters as representations. Allegorical tales are the classical example of this.
Geography may seem unglamorous but it plays a major role in many great stories. The Lord of the Rings would not work without its geography of The Shire, Rohan, Gondor and, of course, Mordor. (I’ve always loved the map at the start of the book too).
Wuthering Heights wouldn’t be the same without its geography and The Hound of the Baskervilles would not work nearly so well if the story wasn’t set in a bleak setting (to intensify the mystery as to what the hound is given it’s easier to hide something monstrous on a moor!).
A story of whatever length has to have an opening which hooks the reader in but the closing line must deliver on the promise of the set-up at the start of the tale. Weak endings leave a reader feeling cheated (aka the “why did I bother reading that” scenario and no writer wants that).
I’m sure this topic could go on for several weeks but I thought a whistlestop tour of some of the major character types you’re likely to come across would be fun.
Some of my favourite childhood books involved animals. Think about Timmy from The Famous Five by Enid Blyton. I suspect he was the most intelligent of the lot of them.
I am an asthmatic, it was worse when I was a child and there was no question then of being able to have a dog of my own. But I could read about them and loved doing so. Ironically now I have no problems with having a dog as a companion and I still love reading. Neither do I mind animal characters as long as they are realistically portrayed.
Have a lovely Christmas, everyone. I thought I’d share some festive flash fiction for this post.
It was a pleasure to be a part of the Brechin/Angus Book Festival from 19th to 21st November 2021. The event also formed part of Book Week Scotland.
Last year, I went to the Festival thanks to Zoom but it was lovely to be there in person this time, my first “big” writing event since before lockdown.
