Image Credit: Images created in Book Brush using Pixabay photos.
I use questions a lot in my storytelling and, to a certain extent, for blogs like this. How? Well, it is appropriate I set a question to start this piece!
Every photograph we take, every show we present, or every song and hymn that we sing, we bring inspiration, creativity and joy to the community. Our artists have taken risks. They have brought us wonder and beauty of nature.
It was a pleasure to be back at Ritchie Hall in Hursley Road to watch The Chameleon Theatre Group perform their postponed pantomime, The Dragon of Wantley. This was originally due to be staged in January.
Janet and I had a wonderful evening which was full of laughs. Comedy can be a real tonic at times (as can farcical comedy which pantomime excels at) and I must admit I walked home, feeling cheered and uplifted for watching a fabulous show. After the last couple of years, a good laugh was exactly what was needed.
[Read more…] about The Dragon of Wantley – Chameleon Theatre Company – Review
Names are as important in fiction as they are to us in life. Names give us a sense of who we are. They are a major part of our identity and names can reveal so much about ourselves.
Names can indicate someone’s likely social class, whether they’re traditionalists or not, and something of their family background too. Writers can play on that to help add depth to their characterisation. Names can also indicate the genre of a book. Well, you’re not going to find the likes of Frodo Baggins turn up in a Jane Austen novel, are you?
It is the irony of all fiction writing that, while everyone knows the stories are made up, people want characters they can believe.
These characters must be true to life so a story writer’s job is to make their characters seem real enough that, if the situation could happen in reality, these would be the characters who would also exist in reality.
Laughter is one of the great joys of life and it has a huge range. This is reflected in fiction too. There are the laugh out loud stories, those wonderful moments of irony, slapstick, the great one-liners and so on. What matters in stories is that humour arises naturally out of the characters and the situations the writer has put them in (and often the greater the height from which the author has dropped their characters in it, the better).
Forcing humour never works. Something is funny or not, as the case may be. When I interviewed Fran Hill and Ruth Leigh on this topic, their insights showed how difficult writing writing humour can be though both ladies manage it magnificently despite writing in different genres. Fran writes memoir with humour. Ruth writes women’s fiction with humour.
Of the many hand gestures, from the encouraging thumbs-up to the vulgar V sign, there is one that drew me to the history of the Popes; the sign of benediction. With the hand held aloft, palm forward and the thumb, index and middle fingers extended, and the little and ring fingers curled into the palm, the priest intones the benediction and blessing. See the diagram below.
The three-fingered sign of benediction and of damage to the ulnar nerve.
Strangely the same hand posture is also a sign of damage to the ulnar nerve. The ulnar is one of two main nerves supplying the skin and muscles of the hand. It is usually damaged the elbow. Most of us have banged our ‘funny bones’ and experienced unpleasant tinglings in the ring and little fingers. That is a temporary bruising of the ulnar nerve. [Read more…] about Hand Gestures
My topic this time for the In Fiction series is a study in contrasts.
Kindness and killing feature heavily in fiction, the latter particularly in the crime and horror genres. Kindness turns up in the classic fairytales and in fantasy and will often be those moments in a story when our hero/heroine has to rely on someone else to help them through a difficult time. It is that break, that help, which enables them to go on and successfully complete their quest etc.
This acts as a reminder to us that no man is an island, we all need help and kindness at times, and that kindness can reinvigorate us. Fiction should reflect that.
I’ve recently returned from the Scottish Association of Writers (SAW) conference, which was held at the Westerwood Hotel, Cumbernauld from 18th to 20th March 2022.
How come a Hampshire based lass ended up here? Two reasons really:-
1. I am a member of History Writers, an online group only meeting once a month on Zoom. This group is affiliated to SAW. I gave a talk to them this month on historical flash fiction. I have written some historically based pieces, hope to do more, and have a general interest in history anyway.
2. Wendy H Jones! I know Wendy thanks to the Association of Christian Writers and she is president of SAW. She also set up the History Writers group. Now I’ve mentioned the importance of networking as you make wonderful writing friends and opportunities can arise too. Let nobody say I don’t take my own advice!
Wendy invited me to judge one of SAW’S competitions – the Margaret McConnell Woman’s Short Story – and to run a flash fiction workshop. I was only too pleased to accept.
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[Read more…] about At The Scottish Association of Writers Conference
Update: The market on 02.04.2022 has been cancelled.
Chandler’s Ford Market is back – Saturday 19.03 at the Age Concern Hall, next to Fryern Arcade, (behind Co-Op), from 10am to 1pm. Well done for Steve Allen for organising the local market in the past few years.
Come and meet the local crafters of Chandler’s Ford and the local areas.
You’ll find all kinds of homemade crafts and produce made by local crafters.
This post is timely because by the time this goes out I will be up in Scotland again for the Scottish Association of Writers’ Conference. I’m running a flash fiction workshop there and have judged one of their competitions (the Margaret McConnell Woman’s Short Story).
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I hope to interrupt my In Fiction series to report back on how things went soon. And yes I loved the train journey (Waterloo, King’s Cross, Edinburgh, Croy) – the scenery on much of the route is amazing. It’s the second time I’ve been up to Scotland in the last few months as I was at the Brechin and Angus Book Festival back in November.
They say that a picture is a thousand words but don’t discount those words. For one thing, one thousand words is a flash fiction story! An artist paints with oils, watercolours etc., whereas a writer paints with words. And those words can make a powerful impact on readers.
By inventing characters readers can identify with, we can use those characters to convey deep truths in what we get them to say and how we get them to act. We can also use those characters as representations. Allegorical tales are the classical example of this.
Recently a friend shared this poem by John Roedel. What an incredible poem. It moves me so deeply.
If you are feeling overwhelmed, I hope this poem gives you hope and comfort.
In the face of war, we feel helpless. We can’t do many things. Yet we can love. We can become a force of peace in the world. Thank you John Roedel for this beautiful, eloquent poem.
[Read more…] about A Poem by John Roedel – “In the face of war, I’m so small – yet, love is so big.”
One aspect of fiction, whatever its genre or length, is it does reflect on our behaviour. It isn’t flattering either, most of the time. The classic fairytales, for example, call evil out for what it is and the kind of evil shown in them (such as cruelty to step children) is something we see only far too often for real.
Stories tell us what we know. Even in the most fantastical of settings, there will be something we can identify with (otherwise, why would we read such things?).
And human behaviour is the direct reason for any story. We use stories to try to make sense of the world we know (and perhaps more than ever in crisis times such as the one we’re going through now with the situation in Ukraine).
Geography may seem unglamorous but it plays a major role in many great stories. The Lord of the Rings would not work without its geography of The Shire, Rohan, Gondor and, of course, Mordor. (I’ve always loved the map at the start of the book too).
Wuthering Heights wouldn’t be the same without its geography and The Hound of the Baskervilles would not work nearly so well if the story wasn’t set in a bleak setting (to intensify the mystery as to what the hound is given it’s easier to hide something monstrous on a moor!).
A story of whatever length has to have an opening which hooks the reader in but the closing line must deliver on the promise of the set-up at the start of the tale. Weak endings leave a reader feeling cheated (aka the “why did I bother reading that” scenario and no writer wants that).